A Makeup & Beauty Blog – Lipglossiping

If you’re a fan of classic shades, Carolyn K’s Armineh is about as classic as it gets.  This beige-toned nude should work well on most skin-tones as it leans neither too cool nor too warm in tone.  I often find that nude shades (unless pink-toned) can pull orange against my colouring so a true neutral is most welcome.

Application was smooth but this one did unfortunately need a full three coats before it even considered becoming opaque on the nails.  The formula has been infused with Pro Vitamin B5 for stronger, healthier nails and employs a flat brush for an easy (and speedy) application.

Carolyn K’s Armineh is part of a three-piece set, available online from www.powderrooms.com, priced at £12.99

Hello lovely readers, if you remember my post from the beginning of last week, I introduced Clinique’s new range of nail polishes. In summary, I was feeling a little iffy about Clinique’s claims of a “revolutionary” hypo-allergenic formula. I won’t go over it again… but the original post is here if you need to remind yourself.

Well, I promised you an update… and here it is:

The PR team at Clinique listened to my concerns and promised to find out what they could for us with regards to how the formula differs from the already-established Big 3/4 Free formulas available on the market.

Here’s the statement that they were able to provide me with:

The concept for Clinique’s nail collection for sensitive skins came about when Janet Pardo, Senior Vice President, Global Product Development, Clinique, visited both Clinique’s Guiding Dermatologist and an independent dermatologist for an allergic reaction around the eye area. Both dermatologists advised Janet to remove her nail polish as this is often a common cause for an allergic reaction around the eye area. Following this, Janet started the process of creating a nail line in the Clinique way – Allergy tested, Fragrance Free, Ophthalmologist Tested and Dermatologist Tested.

This was a 6 year process that involved extensive testing with women diagnosed with sensitive skin. The formula was tested for one month on women with sensitive skin and sensitive eyes. It was vital that Clinique did not compromise on the finish, shade offering or formula and that the collection ticked all the boxes for a great polish that was suitable and safe for women with sensitive skins.

Let’s be honest… it doesn’t quite answer my question but the PR team were also eager to point out that retail versions of the nail enamel will come boxed with a full ingredient list and they kindly provided one for me to include on the blog, perhaps some of you eagle-eyed ingredients spotters will be able to deduce any missing toxins.

I don’t see any of the Big 3 (formaldehyde, toluene and dibutyl phthalate) or even the Big 5 (+ formaldehyde resin and camphor) on the list. Can you see any other formula differences that might class this as a “revolutionary” update to the world of nail polish?

Either way, when there’s a lot of this going on in the beauty industry, it’s good to see a brand who deliver a full ingredient list at the point of sale and a PR team who are happy (and quick) to respond to questions and concerns.

… but to be honest, I’m not entirely convinced.

You see, Clinique have released (as of last week) a new line of nail polishes with an impressive marketing angle.

Allow me to introduce you to it:

Clinique conducted extensive research to ensure that A Different Nail Enamel for Sensitive Skins meets Clinique’s standards of utmost quality.  In fact, three years of research and three years of product development stand behind A Different Nail Enamel for Senstive Skins.  The final revolutionary formula was tested for one month on women with sensitive skin and sensitive eyes. 

Allergy tested and safe to use for sensitive skins, helps reduce the chances that eyes will burn, itch or water with contact.

Amazing.

Except for one thing.

We already have this.  It’s called Big Three Free and has been a “revolutionary thing” since 2007.

If you’re unaware, Big Three Free nail brands (including Butter London, Zoya, SpaRitual, Barry M and many more) offer nail polish formulations that are free of: dibutyl phthalate, toluene and formaldehyde/formaldehyde resin and they have done for many years now.

So what?  Well, it’s this last ingredient (formaldehyde resin) in particular that causes most of the dermatological problems for those of us with sensitive skin, particularly around the eye area where (according to Clinique’s research) we touch, on average, 200 times a day.

So, the reason I’m so unconvinced by the “revolutionary” aspect of Clinique’s new release is simple.

There is no mention, either in the two-page press release, or on the website… exactly what has been removed from or added to a traditional Big Three Free nail polish formula to further reduce the risk of skin irritations.

If you’re selling your product on the basis of it being a “pioneering innovation” (their words), that’s kind of a big deal, congratulations… but as a consumer, I want to know exactly what’s in it (or lacking from it!) that makes it so Different, and I want this information readily available at the point of purchase.

I’ll enquire and if/when I hear more, I’ll be back to tell you about it.

Having said that, the polishes – taken solely on the merits of painting your nails – are quite, quite lovely.  The shades I received went on smoothly with a nicely cut, flat(ish) brush and didn’t give me any application issues.  I’ve included swatches of the four shades below for your reference.

The 12 shades are available in slightly maller-than-average 9ml bottles, available exclusively online at www.clinique.co.uk and nationwide at Clinique counters from 31 May 2013. RRP £12.00

UPDATE 07/05/2013: Clinique have released a statement in response to my concerns and a full ingredient list, click here to read the update.

* press sample

I’m engaged in a bit of a tempestuous relationship with Clinique’s new CC Cream*.  A turbulent love affair that swings from “YOU DO NOTHING FOR ME!”, to “HOW DID I EVER LIVE WITHOUT YOU?”  Unforunately for you dear reader, this may make for a somewhat confused review that I’m hoping will unravel itself by the end of the post, leaving me standing firmly on one side (or the other) of the fence.

First up, CC Creams… why would you need one?

Marketed as the industry’s answer to colour-correction, you should be interested in them if you suffer from a range of tonal issues.  Nose like a lush?  Hyperpigmentation like an ageing banana?  The CC Cream, in theory, should help to brighten, reduce dark spots, take out redness, reduce sallowness and act as your one-stop solution to anything that removes you from the “normal” range for skintones.  Of course, that’s not actually going to happen, not in the biblical sense at least… we’ve been around the block long enough to reduce our expectations somewhat when it comes to these kind of claims.

But still, it’s an interesting theory… particularly when you’re not expected to use these CC Creams as a stand-alone base product.  The CC Cream should be considered a primer, something that will prep your skintone in advance of your usual base product.  Except, that’s not actually the case here.  Bucking the trend, Clinique have released a CC Cream that contains enough pigment to actually act as your base product… oh, ok then.

Forming part of their established Moisture Surge range, the Clinique CC Cream promises to deliver oil-free hydration, colour-correction, and sun protection.  It comes in a total of six shades ranging from Very Light to Deep and contains a summer-appropriate broad spectrum SPF30.  For your money, you get a fairly generous 40ml of product… though priced at £28, it sits at the higher end of Clinique’s pricing for their base products – has anyone else noticed their recent price jumps?

Application is a little tedious and best achieved (in my opinion) with clean fingers, a little at a time, working the product into the areas of the skin that need “correcting” before blending toward the edges of the face.  The thick texture requires you pay attention to ensure that your blending skills are up to par, I’m assuming that this is a side-effect of a higher SPF protection.  That being said, it’s a product that will happily accept a few layers over the areas that require a little more help.

The shade Very Light is well-suited to my skintone despite it looking somewhat peachy when initially dispensed from the tube.  I would say that instead of brightening my complexion, it actually dulls it a little.  It’s not a disaster, because I’m handy with a bit of highlighter… but still, it seems to take away radiance rather than inject it.

So how does its colour-correcting capabilities perform?  Well, it certainly does “something” but I’m not convinced that it achieves it in a different way to any other light-coverage base product on the market.  In other words, I wouldn’t bat an eyelid if Clinique had called it something other than a CC Cream.  You know, maybe something breakthrough like “tinted moisturiser”… but as much as this irritates me, I can’t dismiss the product because it does fit in perfectly with my preferred summer makeup routine.

Even though it delivers too much blanket coverage for me to value it as anything other than yet-another-tinted-moisturiser-masquerading-as-something-new, my dehydrated skin bloody loves it.

Once applied, the gluey texture diminishes and leaves behind a velvety finish that feels comfortable on the skin without encouraging too much shine across my t-zone.  The level of sun protection means that I don’t feel too guilty about forgetting to apply a separate SPF underneath, particularly when I’m finishing off my base routine with a dusting of (SPF-rated) mineral foundation to achieve a more complete level of coverage.

So, there you go.  I feel like I’m fence-sitting a little, despite my best intentions not to.  Incase you’re under any misconception, I’m calling bullshit on the CC Cream status because I’m not seeing anything that I wouldn’t get from a standard (good) tinted moisturiser.  The areas of my face that aren’t affected by diffused redness are displaying the same colour-correction as my red bits… it just doesn’t feel like they’re being cleverly targeted in a specific manner.

That being said, I like the product.  Go and get a sample from your nearest counter and try it on your face before deciding if it’s the kind of product that would fit in with your daily routine.  Certainly don’t judge it on a back-of-the-hand swatch like I did when it was first released, once applied to the face it’s a completely different animal and very kind to those of us with complicated moisture-concerns.

Clinique’s Moisture Surge CC Cream is priced at £28 for 40ml and available on counter and online from clinique.co.uk and johnlewis.com

* press sample

GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH

GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH

GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH

Dying from pigmented, juicy lipstick love.  I wanna squeeze it’s chubbiness until it spews a slash of hot pink glory all over my lips.

Clinique Chubby Stick Intense in Plushest Punch*, priced at £16.00 and available on counter and online from www.clinique.co.uk. 

We gonna need moar than eight shades please Clinique.

* PR sample (thank god I’m not a gusher)

I like grey nail polish. It’s edgy enough for old people to look at your nails like you must be satan’s lovechild but not so edgy that it makes your boss search for valid reasons to move your desk into a cupboard.

CarolynK’s Helga is a neutral, concrete grey creme with no discernible jazz about it.  A straight-forward what-you-see-is-what-you-get shade that applies smoothly in a couple of coats.  It’s part of the Carolyn K London Neutrals Nail Paint Set which offers a trio of work-appropriate shades.

The set is reasonably priced at £12.99 and available to buy online from www.powderrooms.com

When you’ve got a good thing going, the wise among us know to keep running with it.

Which is exactly what Clinique are doing with this whole Chubby Stick thing.  First came their Chubby Sticks for Lips, consumers couldn’t get enough of the balmy formula in the convenient-to-use stumpy pencil.  However, some complained (cough) that the finish was too sheer, so Clinique created Chubby Stick Intense, and thus… I was happy.

Roll forward a few more months and the brand have taken their original idea and pimped it to the max.  Lo and behold, we have Chubby Stick Shadow Tint for Eyes*.  I’m fully expecting a chubby foundation next week.

There are currently 12 shades available and I received samples of a couple of the shades a little while ago.  Lots o’ Latte and Whopping Willow are two fairly neutral-toned cream shadows from the range but interestingly, Whopping Willow has a small amount of glitter running through the cream which is difficult to notice just by looking at the stick – a pretty and welcome addition, mostly because it’s kinda grown-up and subtle.

The twist-up crayons are easy to use and glide across the eyelids without any drag.  The colour is sheer but extremely buildable… a few swipes will build-up complete coverage over the eye.  The formula is easily blendable with just a finger, you don’t need a brush to apply these, making them perfect holiday-accompaniments or perhaps ideal for the desk drawer at work?

I had problems with both of these shades creasing on me within a couple of hours.  I suppose that such a creamy formula that applies so beautifully has to have a negative somewhere and on me, longevity is where it’s at.  This isn’t a complete disaster as I did find that a slick of primer underneath worked wonders to increase wear-time to a completely respectable seven-or-so hours.

I’ve included a swatch of both shades below, you should be able to pick out the sparkle in Whopping Willow, isn’t it pretty?  I don’t usually like greens… infact, I hate them… but this one is a little bit special.

Have you tried any of the new shades and are you a fan?

Clinique’s Chubby Sticks for Eyes are priced at £16.00 each and available to buy on counter or online at clinique.co.uk

* press sample

We wear makeup for many different reasons. Some of us like to experiment with colour, some of us like to improve upon our natural beauty *cough*, and some of us enjoy piling on everything we own just because we can.

At the moment, I’m somewhere between number two and a facefull of slap. Whenever I’m sick (is she still going on about that?), my skin is the first place it shows and the last place it recovers. Flaky, blotchy, purple under the eyes, and spots a-plenty are the order of the day. Which is exactly what one needs when you already feel like shit, of course.

Whilst I’d love to tweak my skincare routine to improve my natural radiance and rebalance my complexion from the inside out… I’d also like to be able to sprout a pair of wings and crap on the EDL headquarters from a great height. Sadly, neither are happening any time soon, and so instead, I turn to my makeup routine for the answers and pray that it won’t fail me.

This isn’t a tutorial as such, I’m no bleedin’ make up artist after all… but I thought I’d go into some real depth about the products that I’m using to work, what is basically, a skin miracle at the moment.

First things first, skin prep. If your skin is suffering, you can’t ignore this step in the routine. It’s imperative that you give your makeup the best possible base upon which to sit. It may be that you’re fighting an oil-slick or something akin to moon craters, or perhaps like me… you’re battling dryness of epic proportions. Take an extra five-minutes to target these concerns before you even go near your face with foundation, the finished result will be worth the effort.

Starting with a cleansed, exfoliated, and moisturised face… I deal with the dryness that has been causing my foundation to cling in patches. Upon Caroline‘s advice, I’m treating my skin to a moisture sandwich of oil and cream, first with an Elemis Cellular Recovery Skin Bliss (£62.00) capsule which delivers an antioxidant-rich hydration boost in the form of moringa oil, followed immediately by a generous layer of La Roche Posay’s Nutritic Intense Riche* (£14.00)

And then I wait. A couple of minutes later, I can tell where I need additional hydration, so I work a little more of the LRP into the skin, avoiding the areas that are prone to midday oiliness. That done, I move onto the one product that generally replaces “primer” for me during the colder months.

Maqpro Makeup Mixer (from £8.00) is a makeup artist’s trick taught to me by the wonderful Kenneth Soh who recommended it to me a couple of years ago as a great base for mineral products on drier skins. It’s a tip that continues to save me whenever my skin is behaving badly. Not only is it a wonderful mixer for sheering out heavier foundations, it also does wonders for improving how a product applies over, and sits ontop of dry skin without compromising the moisture levels underneath.

At this point, I use a brush to apply the Maqpro but I don’t work it fully into the skin, preferring instead to dot the product allover with the brush and only lightly blend. This way, it combines easily and increases the glide of the next layer of product.

Before even contemplating foundation, I still want to improve the radiance levels of my skin. A lot of the time, I reach for a liquid illumintor that I can apply allover and then “tone down” with foundation. I’ve been trying something a little different recently in the form of this rather splendid Lyster Cream Bronzer* (£36.00) from Swedish brand Manasi Makeup.

The pot contains far more product (55g) than I could ever see myself using and as such, I do wish they offered a smaller-size for less money but I can’t deny that the product itself is beautiful. Free from mineral oils and parabens, it delivers something inbetween a bronzer and a luminizer that works very nicely against my pale skintone. If you’re blessed with naturally great skin, I could see something like this being your one-pot wonder for sunkissed, healthy-looking skin without fear of looking orange or overdone.

I tap my brush lightly on the top (you don’t need much) and work the bronzer all over my skin using a circular motion, it blends nicely… but even more beautifully with my layer of Maqpro beneath it.

Finally, it’s time for foundation! At the moment, I’m alternating between my Giorgio Armani Luminous Silk Foundation in shade 4.5 (£34.50) and my beloved tube of Clinique Supermoisture Makeup* (£19.35) which is a better option for when I don’t have the time to do this kind of skin prep. If I am using the Clinique, I skip the Maqpro in this next step as it’s an exceptionally moisture-rich foundation on its own merit.

When I’m using anything other than the Clinique, I reach again for the Maqpro (as shown below). One blob of each and using the same face brush as I’ve been using all along, I give the products a little mix on the back of my hand before working into my skin lightly.

I never apply foundation heavily or in more than one layer when my skin is playing up because it doesn’t matter how much preparation or effort I put into the application, after a few hours… my foundation will clump over the dehydrated patches if it’s too heavy. Which is why, I always reach for concealer as the last step despite usually being a bit of a concealer-phobe when my skin is less fussy.

Bare Minerals SPF 20 Correcting Concealer* (£21.00) is the perfect choice for dry skin-types thanks to a light texture and a lot of slip. It’s very creamy and offers a good amount of coverage, making it a great choice when your aim is to keep your layers as thin as possible. The final step is a little precision highlighting with something like the iconic YSL Touche Eclat (£25.00).

Now, that’s quite a lot of product but use my “how-to” as a guide rather than a manual. The principles are simple and you’ll already have certain products in your collection that you know you can substitute…

1. Make a real effort to get your skin in the best condition possible before you go near it with colour.
2. Work in thin, lightweight layers.
3. Add additional moisture or “slip” as you go.
4. Now isn’t the time for powder, keep things creamy.
5. If you’re nervous about being too heavy-handed with illuminator or bronzer, apply it before your foundation.
6. Leave concealer until the last possible moment, you’ll end up using less product as a result.

How’s your skin behaving at the moment and what trickery are you employing to get the best from your complexion?

* press sample

Eternally revered as one of the world’s most precious metals, gold has been a highly sought-after commodity from the earliest of ancient civilisations right through to the modern day.  Much of its worth has been built through socially-constructed symbolism rather than via any intrinsic financial value, but the rare metal has nevertheless proven useful in some fields thanks to certain unusual properties.

Gold is extremely durable, stable, and for a metal, unusually coloured making it a perfect exhibition of wealth.  It holds a strong continuity of value over time, and looks just as beautiful when first laid in a treasure chest as it does 20, 30 or 50 years later.  It’s an element that is difficult, dangerous and laborious to mine and rarity has always held a value when it comes to the importance of status within our society.

But what about in practical use?

We regularly see gold put to good use in the field of electronics, to plate connectors and prevent oxidisation.  As a metal, it conducts electricity extremely efficiently (though interestingly, not as efficiently as silver).  In dentistry, the metal is valued for its malleable attributes which can be used to easily construct fillings, crowns, and bridges.  Its chemically stable nature, makes it a suitable, nonallergenic material which has thus far proven to cause no adverse effects on long-term health.

But what about the usefulness of gold within the beauty and skincare industry?  Let’s take a look at some products today which seek to employ the midas touch…

1). Nahbi Pure Repair Gold Essence contains 24ct nano gold and gold leaf extract which claims to help stimulate circulation, cell renewal and the removal of toxins from the skin.  Nahbi use colloidal gold (suspended in liquid) and nano-technologies to increase the likelihood of physical absorbtion.  The particles are rated at 1.5nm, which is tiny indeed when you consider that the thickness of gold leaf is rated at a rather chunky 125nm!  The full range includes masks, serum, toner, a moisturiser and a cream. priced from £25, beauchoix.co.uk

2). Jamela offer a range of gold-infused masks that combine “active gold” and plant collagen with other, more recognisable ingredients including hyaluronic acid.  The masks have been designed to contour various body parts to deliver their collagen-boosting benefits including: eyes, lips, face, and even breasts!  I particularly like the idea of wearing one of these masks overnight before throwing it in the bath with me the next morning, they dissolve in hot water to release any remaining goodness!  priced from £24,50, jamelaskincare.co.uk

3). Chantecaille are well-known for their high-end formulations so it comes as no surprise to see an entire Gold Collection from the U.S. brand.  Their Nano Gold Firming Treatment is not simply content with exploring the supposed anti-inflammatory effects of nano gold, but hedges its bets on another recent “technological breakthrough” in the form of Swiss Apple Stem Cells which claim to deliver the creme-de-la-creme of antioxidant benefits within skincare.  For all this technology, you’ll have to pay a pretty penny.  priced at £280, uk.spacenk.com

4). Focusing on exploring the links between the precious metal and its soothing, anti-inflammatory benefits.  Omorivicza’s Gold Eye Lift uses gold ferment in an attempt to repair micro-damage and strengthen the delicate skin by renewing lost elasticity and as you would expect, the Hungarian brand remain true to their spa roots with the infusion of mineral compounds and their globally famous thermal waters rich in copper, zinc, calcium and magnesium.  priced at £110, selfridges.com

5). For the “gold standard” (geddit?!) in gold-enriched skincare, look no further than Swiss brand La Prairie for their Cellular Radiance Concentrate Pure Gold which claims to diminish the appearance of lines and wrinkles and help regulate discoloration.  The gold, suspended in a colloidal gel promises to help prevent the breakdown of collagen and elastin whilst illuminating the skin with a stunning radiance. It will certainly lighten your wallet.  priced at £408, urbanretreat.co.uk

6). For something a little more tangible, not to mention… affordable, Zoya’s Gilty Pleasures trio contains an 18k real gold flake top coat which will transform all your manicures into something a little bit special.  priced at £29.60, nailcareclub.com

7). ByTerry’s Or De Rose Elixir Extreme is a rose-tinted primer which delivers instant radiance thanks to its blend of 24-carat pink gold micronized particles and light-reflecting prisms.  More of a cosmetic radiance-giver than a skincare marvel, coming from the queen of highlighting herself… that ain’t no bad thing.  The closest I’ll get to being a gold-dipped bond girl.  priced at £108, uk.spacenk.com

So, the question remains… can the benefits of gold be applied to anti-ageing theories?  Scientists and dermatologists are frankly divided on the issue and serious research is ongoing on the potential health benefits of using gold in the fight against cancer and the relief of rheumatoid arthritis.

To my mind, there appears to be a somewhat necessary leap of faith in order to believe that something so valued for its chemical inertia can also posess such life-changing, tangible benefits but there’s no doubt that this is one debate that will run and run.  Especially while it continues to give cosmetic companies such a wonderfully marketable element of luxury and privilege.

What say you? Are you interested in unleashing the power of gold on your skin, hair and nails?

Following on from Saturday’s “I want a perm!” declaration, I thought I’d let you know what prompted this revelation. I used a styling wand! And not just any old styling wand but one that is generally considered a bit of a posh styling wand, the Cloud Nine version.

It’s a bit of a chunky beast with a large tapered barrel and a heavy-duty, solid handle.

The wand comes complete with a protective sheath that slides over the heated barrel and protects fingers/surfaces from burns and damage when the tool isn’t in use. The Cloud Nine The Wand certainly isn’t for the faint-hearted (or weak-wristed), it quite heavy and takes a little practice to wield comfortably. I don’t mind admitting that it took not one, but two ear burns (matching) before I realised that at least one secret can be found in a simple solution: for the love of God, do not move or angle the tool once it’s cms from your skin, move the hair. MOVE THE HAIR, NOT THE TOOL. Are we clear on this? Good.

The tapered barrel allows for a good amount of volume at the root of the hair, and as you wind the hair toward the tip of the barrel, the curl will become tighter.

The controls are simple and easy to master, the wand gives you complete control over the temperature you’re using, which is great for anyone whose hair frazzles at standard settings. My fine hair generally responds pretty well at low temperatures, so for obvious reasons, I’m relieved that The Wand (like their straighteners) gives me the option to turn down the heat. If you’ve got coarse hair, by all means… crank that baby up.

The Cloud Nine wand also comes complete with a heat-resistant glove, this took away THE FEAR and ensured that I could wind each lock around the barrel right to the tip, there were no straggly straight bits for me! Plus, just having one glove in your possession is total justification for trying out any Michael Jackson impressions that you’ve been secretly stifling over the past 31 years. Not that I did any. Ow!

Cloud Nine are currently campaigning for women to be kinder to their hair by having “off” days. I have plenty of “off” days but after reading the press release, I realised that weren’t thinking along the same lines. According to Cloud Nine, you can treat your hair without compromising on style simply by rethinking your “2nd day” look. An example of this would be curling your hair on day 1, wearing the curls to their full-potential before using day 2 to be kind to your hair, leave the heated tools on the dressing table and simply wearing your hair in a half up/half down style with loose waves (the remainder of day 1′s curls) keeping you looking stylish.

It’s a bit bloody obvious isn’t it… but I get what they’re saying…

So anyway, onto my before and after… here’s my hair in all its uber flat, just washed and dried glory. Boring.

I honestly thought it would take longer to style, I kept asking Mr. L whether I’d missed a chunk at the back because it took me less than 10 minutes to curl and achieve this…

The above photo shows the curls before I’d separated them with my fingers. I was a little haphazard because I wanted to accurately reflect how I’d use the tool.

I’m not the kind of girl who has the patience to part her hair in a thousand different directions, pinning each section up and spritzing with heat defence. I’m the kind of girl who sprays half a bottle of heat defence, brushes it through, before randomly taking sections (that may or may not be completely different sizes) and curls. That’s me. I’m a crapiologist, and this still came out looking good.

So there you have it, I really like this… for one major reason. I could achieve proper curls a couple of times a week without wanting to gauge my eyes out in frustration. I’m not a hair person, I’m rarely happy with my hair but I hate fussing even more. So much so… that I’m already contemplating a one-off perm so that my hair can look like the above without me doing ANYTHING at all. Except, I know that it won’t work out like that and I’ll emerge from the salon looking like little orphan Annie, so as an alternative to not having to do anything at all, the Cloud Nine wand has proven itself to be a genuine solution to achieving great curls with the least amount of fuss, even on low heat.

Now as for that 2nd day hair… well, I could have done half-up/half-down, but that’s how I wore my hair to school, so screw you 2nd day hair. Instead, I cheated and used an old-skool setting lotion. Take that! No waves for me, these curls lasted until I had to wash the buggers out ha!

Cloud Nine’s The Wand is currently £20 off the usual RRP, priced at £99.95 and available to buy online from cloudninehair.com

* press sample

Spring is sprung, the grass is ris. I wonders where the birdies is?

China Glaze have released their latest 12-piece Avant Garden Spring 2013 collection, comprising of two halves.  One, distinctly pastel and the other… an altogether brighter affair.

Pastel Petals

The Pastel Petals (shown above) feature six soft shades including:

Life is Rosy: blushed mauve
Pink-ie Promise: iridescent baby pink
Tart-y for the Party: light lavender creme
Fade Into Hue: periwinkle creme
Keep Calm, Paint On: sea foam green
Dandy Lyin’ Around: shimmery vanilla icing

Blooming Brights

The other half of the collection is comprised of six brighter shades, known as the Blooming Brights and includes:

Budding Romance: moss green
Sunday Funday: bright blue
Fancy Pants: indigo with pink and purple shimmer
Snap My Dragon: bright red with pink shimmer
Passion for Petals: bright salmon-pink
Mimosas Before Manis: coral with a light wash of shimmer

Are any of these pretties calling to you?  I’m tempted by Fade Into Hue (can’t get enough periwinkle!) and Tart-y for the Party but I can’t say the bottle shots are knocking my socks off.  So, their Tranzitions collection was a disaster (trust me, I have a sample that I can’t even bring myself to assault your eyes with) and their Spring collection is uninspiring… you know what’s next though don’t you?

OMG HOLOGLAM *runs around, multiple flails* (and they’ve been swatched already!)

Roll the hell on Summer 2013!

Not another wine lipstick I hear you say!

Well sorry chaps, my infatuation is far from over.  Not only that but today brings another Clarins offering, similar but (at the same time) quite, quite different from the Clarins Rouge Prodige that I showed you last week.

Unlike the Rouge Prodige, the colour of this one when applied is as you would expect from looking at the bullet, there are no shade surprises here.  The new range of Rouge Eclat lipsticks offer what Clarins claim to be their first age-defying formula that boosts collagen and protects against dehydration.

From reading the blurb, you’d expect to find a super-glossy lipstick with a slippery formula and incredibly light texture, not so.  I found this Rouge Eclat to offer more substance, a firm texture and a pigmented finish.  There’s enough slip to keep it feeling comfortable but no more than is strictly necessary.  Something which affords the lipstick greater longevity, in other words… you’re not sacrificing a long-lasting lipstick for greater hydration.

The packaging is frankly, a bit of a disappointment. It reminds me of Bourjois Sweet Kiss in terms of styling but without the nifty opening mechanism.  Basically, it’s not up to Clarins’ usual luxe standards, too much acrylic and not enough gold.  When you do something so well Clarins, keep doing it!

The scent is the same across the line of lippies, quite pronounced… fruity, I’ve always called it fig… Clarins call it blackberry & liquorice(!) so never trust a fragrance review from me ever again.

#107 Red Wine* leans to the cooler side of the spectrum with a distinctly mauve edge, it’s quite a vampy choice for Spring but looks beautiful when patted onto the lips more lightly than in the swatch above.

Overall, the Rouge Eclat lineup fills a niche within the brand’s current range but I was less impressed with the packaging and I wasn’t entirely sold on this shade.  Emma from Escentual has done some great arm swatches of the range and I have to say, #05 Pink Berry and #08 Coral Pink look like cracking shades for Spring.

Clarins Rouge Eclat #107 Red Wine is available to buy on counter, priced at £18.50 and online from escentual.com, priced at £14.80

* press sample