A Makeup & Beauty Blog – Lipglossiping

Fourteen days, that’s approximately 336 hours, or 20,160 minutes.  In other words, a fair amount of time.  In the world of long-lasting manicures, just what you do with that time is almost as important as the duration spent doing it.  For me, that time was spent typing, packing, cooking, swimming, running, playing at Butlins, and chasing ants in the dark.  I like to think that this manicure has been put through its paces over the last fortnight.  The question is, did it survive?

See for yourself…

I think that it’s coped fairly admirably no?  There is a small chip on my index finger but that was it for the tips… across the entire manicure – spending that extra time to ensure that I had capped all my nails really paid off in this instance.  Infact, you can see that most of the ‘damage’ actually comes from the other end of the nail bed where I’ll happily admit that I didn’t do quite so well at applying with the kind of precision one needs.

I suffered some pooling in the cuticles with the base coat and on a couple of nails this led to a small amount being cured over the cuticle so I wasn’t particularly surprised when I experienced a little bit of lifting after a few days in those areas.  What I was surprised at though is that despite the lifting, I was able to gently clip those areas off without causing any further damage to the manicure.  Most of what you see in the photo above is actually new growth at the base of the colour.

Now, whilst this is a glowing report so far, I do have one issue that I’d like to talk about… removal.

Damn, this stuff is a bitch to remove without damaging your nails.  I lightly buffed the surface of my nails firstly to remove the shine and create a penetrable layer for the remover to do its work before soaking pre-cut cotton pads in acetone remover (where acetone is the primary ingredient) and laying them down over the nails.  Wrapping the tips in foil, I gave it a full 10-12 minutes before sliding the foil tips off my fingers, expecting to see the gel slide off with them.  Uh, not a chance.  The surface had bubbled and warped and the edges had further lifted but it wasn’t giving up without a fight.  I ended up using an orange stick to (as gently as I could) scrape off the gel polish before buffing the surface of the nail to remove the residue.

My nails are definitely in worse condition post Sensationail but seemingly nothing that a hefty dose of almond oil (thanks Squarrell) can’t sort out – I’d say that they’re halfway back to feeling “normal” within a day of diligent oiling.

Hopefully that’s provided an indepth (enough) review for you from application, to pricing, to wear and finally removal.  I’d be really interested to find out what you think about the product in terms of value, I’m confident that it provides the kind of long-lasting, salon-quality manicure that we pay £20+ a time for – but despite knowing that, I’m curious if the initial price tag would still put you off?  I think that this is probably a great bit of kit for a group of friends to pool together and purchase, otherwise – you’ve got to be a very dedicated nailista – know any of those?

The Sensationail starter kit is available to buy online from Boots, priced at £85, additional shades are available at £15 each.  You can get more tips and tricks from the brand’s facebook and twitter pages.

All-in-one neutral palettes have never been more popular, they’re a quick solution to the eternal morning dilemma of eyeshadow selection when all you really want is an extra five-minutes in bed.  Stepping firmly on the bandwagon with their latest palette release is U.S. brand, Stila in the form of their In the Light eye shadow palette*.

A cardboard palette, lightweight and without a mirror makes this a slightly more portable (if flimsy) choice than the Urban Decay Naked franchise.  The palette contains 10 pans of colour, both a mix of shimmer and matte shades.  Each pan provides 1.4g of product, around the same quantity per pan as the Urban Decay offering, but two less pans in total.  The stock images that you will see online of the palette don’t reflect the true shades within, both bliss and sunset do not swatch pink as described in the official colours and shown in the stock photo.  All shades can be used both wet and dry.

The ten shades vary in pigmentation and texture, some feel quite soft and creamy whilst others are more firmly-textured and require building up to achieve rich colour.  None feel chalky and they all share excellent blendability.  There are four matte shades in total: Bare, Bliss, Sandstone and Ebony allowing you to create a fully matte look with a range of neutral shades if you so wish.

I like this option a lot… it allows me to create a fully matte eye look as my base before adding in a ‘pop’ of something more shimmery without going into disco territory.

The shades are mostly warm-toned with the exception of Night Sky and Luster.  Also included in the palette is a 0.28g black, retractable eye pencil (smudge stick) which provides rich colour with a smudgable but long-lasting formula.

A quick FOTD showing Bare, Bliss and Sandstone with a pop of the inimitable Kitten on the inner corner to brighten the eye area.  Kitten has long been one of Stila’s most cult shades, and I can see why, it’s a very pretty champagne highlight that opens up and lifts the eye area when used as a highlight.

The Stila In the Light eyeshadow palette is available to buy instore at SpaceNK, online at BeautyBay and Escentual.  It’s also available at Stila’s freshly-launched website: stila.co.uk – priced at £25.00

* press sample

In addition to the new long-wear cream shadows, and eye pencils which I talked about here, the Bobbi Brown Intensifying Long-Wear Mascara* is putting in an appearance and promising to deliver results that last for up to 16 hours.

It’s probably fair to say that when I think of long-lasting makeup, I’m not sure that I’ve ever cursed any of my mascaras for not lasting the course of a day?  Sure, some are more smudgy than others and then you have the ones that flake a little as the day goes on but I can’t remember ever looking in the mirror and thinking “awww crap, where’s me mascara gone?”.  Or maybe they just mean that it won’t flake or smudge… but then again, don’t they all promise that?

If you experience this kind of problem on a daily basis, then perhaps the Bobbi Brown Intensifying Long-Wear Mascara is your next dream come true?

The packaging is particularly sexy with a metallic-chocolate finish and sleek lines whilst the brush inside is teeny, tiny… and for me, its main USP.  This fabulous brush reaches every lash from the longest to the shortest.  The brush consistently pulls out the perfect amount of product and you can feel the packaging doing its job at sucking back in the excess as you pull the brush from the neck of the tube.  As a result, I can’t see this one drying out too quickly either.

You can see how narrow the brush is in the above photo, a really great shape for women with shorter, sparser lashes to define from root to tip.  I particularly like this mascara for my lower lashes, it separates nicely, fanning each one out without leaving clumps or excess product in its wake.  As for the top lashes, well… it’s not quite volumising, nor lengthening enough for me.  My lashes can take a hefty dose of product before they begin to look worse for wear and this doesn’t provide the lash-drama that I’m forever craving.

It does, however, provide a better-than-natural finish that you can build without too much protest.  As for longevity?  Yes, it lasts the day without smudging – well done.  I do see a couple of flakes if I apply more than two coats but nothing that I’d worry myself over.  Removal is easy with just warm water, though my cream cleanser (waterless cleansing) didn’t experience any issues with sweeping it away at the end of the day either.

Overall, I really recommend this mascara if you’re looking for a good, solid formula with a fabulous brush that helps create precision definition without missing a single lash.

Bobbi Brown Intensifying Long-Wear Mascara is available to buy on counter and online, priced at £18.00

* press sample

As the summer approaches, my thoughts turn to bullet-proofing my makeup to last the course of a hot, tiring day.  I don’t know about you but despite my dry skin, the first to make a dash for freedom is any and all makeup down the bridge of my nose.  Then my eyeliner melts into my tear ducts, developing into hugely attractive eye bogies before the last of my foundation gives up the ghost and literally puddles in the area where my nose meets my face (hello face).  If it’s really hot, my eyeliner will also strive for symmetry and create matching lines across my upper eyelid where the “hoods” rest gently on the lash-line.  It’s a beautiful sight to behold.

Bobbi Brown’s new Long-Wear Eye Collection promises to stay the distance without letting you down or showing you up.  The eye pencils from the new collection are richly-coloured and deeply-pigmented.  They’re creamy and have that soft, gel formula reminiscent of my beloved Avon Mega Impact/Supershock Gel Eyeliner (whatever they’re bleedin’ being called at the moment).

The Bobbi Brown Long-Wear Eye Pencils* are available in six shades: Jet, Mahogany, Black Navy, Black Plum, Hunter and Smoke, providing a colour option whatever your personal taste.  I really like an off-black range that carries the density of an inky black but without the harshness on maturing features.  Not that my features are maturing, shutup.

These pencils haven’t given me any trouble sharpening, the uber-softness of the Avon ones means that I do need to chill them in the fridge for half an hour prior to sharpening, total pain when you need a pencil stat.  I didn’t have to do this with the Bobbi Brown pencils.

Mahogany is swatched on the left, Smoke on the Right.  You can see the density of pigment is really quite impressive.  It’s a teeny bit less pigmented than the Avon offerings (which are insanely pigmented) but as I said earlier, they do provide a little more precision during application thanks to a firmer texture.

Here are the same swatches after scrubbing the back of my hand with soap and water for a good 30/40 seconds.  I was impressed that they didn’t smear or transfer as I swiped and rubbed.  You can see that the pigment has eroded in places but if you imagine that swatch as drawn across your lash-line, I think you’d be fairly happy to emerge from the swimming pool 3-hours later with that much still intact no?

Unfortunately, whilst I think these pencils are brilliant.  This is where the praise ends.

I’ve been comparing these all along to the Avon SuperShock Gel Eyeliner pencils (which don’t come in as many shades admittedly) simply because the Avon ones are my benchmark and indeed, my daily staples.  As I swatched both alongside one another, I expected the Bobbi Brown ones to outlast the Avon.  They don’t.  They wear identically both on the back of my hand and on my waterline, around 5 hours.

The Bobbi Brown Long-Wear Eye Pencils are priced at £17 each.  The Avon SuperShock Gel Eyeliner pencils are currently priced at £4 each.  And there’s the rub, I’m not going to recommend that you spend extra money needlessly… both are fabulous long-wearing, densely pigmented pencil liners.  The Avon ones are substantially cheaper.

The Bobbi Brown Long-Wear Eye Pencils are available to buy on counter and online from BobbiBrown.co.uk

* press samples

Finding the perfect mascara is much like finding the perfect killer heels.  You want something that makes your legs (lashes) look incredible without crippling the wearer.  Some mascaras sting, flake, smear, or generally flop halfway through the day.  The Clinique High Impact Curling Mascara* is a good choice for anyone who wants impressive lash scaffolding without too many side effects.

My lashes are naturally fairly curly and crave definition and impressive darkening to make the most of them.  Curling isn’t high on my list of priorities but even I could see how once this mascara sets, it holds a rock-solid shape throughout the day.

The brush is a curved affair, with a tapered tip to allow you to reach the tiniest of corner lashes.  It does offer good coverage with a single pass, which is just as well because the formula has a tendency to go a little spidery if you go back for too many coats.  I’d stick with two as a maximum.  The formula is a little wetter than some, so be aware of this when applying… I’m always a little heavy-handed which usually results in a couple of splodges of product on my eyelid when using wetter formulas.  Avoid this by removing any excess from the wand with a tissue, or wiping it against the edge of the tube opening.

The black is a true, inky black which coats my lashes evenly and offers great definition, curling and lengthening.  It also does well to volumise at the roots, but again… with the wetter formula, you do need to be precise here.  It’s a little bit ‘bitty’ as it builds, and these ‘bits’ will flake off throughout the day but it’s purely the excess which drops, so again, just take a little more care that you haven’t loaded your brush with too much product and you’ll avoid this.  Another issue is removal… you’ll need warm water to remove, so simply hold a wet flannel to your lashes momentarily and the formula will slide right off.  If you don’t?  This stuff is holding steady – making it a great choice for Summer holidays!  Basically, there’s a learning curve with this mascara that’s worth getting to grips with.

All in all, I think the Clinique High Impact Curling Mascara is a strong offering from the line.  It does what it says on the tube, and if you’re looking for supreme hold and curl with a long-lasting formula (albeit with a little work on your part to get the absolute best from it), you won’t go far wrong with this one.

Clinique High Impact Curling Mascara is available to buy on counter and online, priced at £16.00

* press sample

I’ve been trying out the ADesign Skincare Brush Set for just over a month now, and I wanted to see if this one set could ever possibly replace the various skin brushes that I’ve grown to love over the years.  I have to say, the set did fare better than I thought it would… but the ultimate answer is that nothing can replace many years of replacing rubbish brushes with marginally better ones until you reach brush nirvana!

But let me talk you through the brushes contained in the ADesign Skincare Brush Set*, with particular reference to my. new. favourite. brush.

I’ll begin by giving you a quick overview of the set, which is available to buy online from Cocktail Cosmetics, priced at £44.95.  Broken down, that works out at around £8.99 per brush – which for face brushes, makes it a very good value set.  You’d easily pay that on the high street for brushes that don’t come close to even 10% of the quality that these represent.

For your money, you get five brushes housed in a patent mock-croc bag that is fully-lined to prevent damage from spills.  The brushes (from left to right) are: Pointed Foundation Kabuki Brush, Flat Top Foundation Brush, Foundation Brush, Medium Concealer Brush, and Pointed Concealer Brush.

You may be asking yourself, why on Earth would you need three different foundation brushes?  If you are, get off my blog.

Moving on…

Yes.  It’s magnificent isn’t it?  Like a silver bullet sent to banish bad makeup application werewolves (or something *shrugs*).  I haven’t quite got the hang of how best to use the Adesign Pointed Foundation Kabuki Brush and I’m not keen on the stubby kabuki-handle – the pointed tip is obviously engineered to provide precision and having a longer-handle would complement this more effectively.  Of course, if you love the design, you could always opt for something like the Bdellium Tools Bambu Pointed Foundation Brush as an alternative.

The heavily tapered bristles on this brush allows for dual-motion blending… you can swipe both back and forward like a traditional painting motion or apply circular buffing strokes.  For me, I’ve found its forte when it comes to applying concealer over a larger area, particularly around the nose as the point gets right into the creases whilst the taper blends the edges seamlessly.  I’m not completely sold on it, but I do think I’ve not quite mastered the best technique for it yet.  If you have any suggestions, I’m all ears!

The Adesign Flat Top Foundation Brush, a.k.a. my new favourite brush.  It’s a masterpiece, so beautifully dense with tickle-me soft fibres.  It is not very pliable which allows for a really good buffing motion (rather than flopping about ineffectively on the face) and comes with a small head which I much prefer when compared to a larger size flat-top such as the ELF Powder Brush.  I’m going to photograph comparable brushes shortly and reiterate why I prefer this brush to the others.  For quick reference, comparable brushes would be: MAC 130 and Shiseido Perfect Foundation Brush (though this one isn’t cut at an angle).

I’ve been using this for applying foundation (all textures), applying cream blush and blending out any edges.  When my skin has been particularly dry and all my products have been cream or liquid-based, I haven’t even bothered to use a different brush.  This is the stand-out offering from the set.  The smaller head also means that it complements my stick products really well (things like NARS Multiples and my Shu Uemura Stick Foundation).  Perhaps the ultimate compliment I can pay it though is that it has enabled me to wear my MUFE HD Cream Blushes… those things played me up something chronic, I just couldn’t find the right tool to get the just-flushed blush from them.  Until now.

I wish that I could point to a single technical aspect of this brush that suits my needs so well, but all I can tell you is that I’m in brush love.  For reals.

After the gushing over the previous brush, the Adesign Foundation Brush doesn’t get me nearly as excited.  Again, this is small-headed… comparable in size to the Giorgio Armani Designer Foundation Expert Shaping Brush but mega-bucks cheaper.  While the GA brush tapers away quickly, the ADesign brush provides greater density from the base up, which allows this brush to both paint and buff.  The fibres have a good amount of spring to them and are densely packed from root to tip.

The Adesign Medium Concealer Brush is another that didn’t give me an awful lot to flap about.  Again, it’s a good-looking brush without any flaws and applies under-eye concealer very gently but one the whole, I prefer my No7 Concealer brush when it comes to painting on the product with a flat edge like this offers.  But talking of flat edges…

…the Adesign Pointed Concealer Brush is without them!  This is a really good brush for concealing over blemishes.  It delivers the product with pin-point precision and blends without dislodging or removing any of the product you’ve just placed!  How many times have you applied concealer to a spot, blended and then realised that you’ve blended at least 50% of the product off?!  This has worked wonders for my concealer application skillz… now I has some!  Again, this is so densely packed, you would think you’d need something with a ‘lighter’ touch, but no… despite my initial scepticism, this really does the job magnificently well.  It’s a little too stiff-feeling to use in the delicate eye area, where something like a MAC 224 works well to both apply and blend concealer.

Without exception, each of these synthetic-fibre brushes are high-quality.  The ferrules are solid, the fibres are well-cut and dense.  Each is perfectly soft, washes well and keeps its shape as it dries.  Talking of drying, these do dry more slowly than natural hair fibres…. such is the downside to synthetic brushes but I haven’t experienced any shedding during washing or application at all.  Which is more than can be said for most brushes.  Whilst I haven’t fallen head-over-heels for every brush in the set, the two that have made an impression on me (Flat Top Foundation & Pointed Concealer) … have made an impression that I want to shout about.

As an aside, you may be wondering why this is called the ‘skincare’ set… well, if you watch the video below, you’ll see that this set was designed for both makeup application AND skincare application.  Call me old-school but I’m all about the fingers when it comes to skincare!

The ADesign Skincare Brush Set is available to buy online from Cocktail Cosmetics, priced at £44.95

* press sample

I promised you a full review of the Face Atelier foundation after last week’s FOTD and my recent re-discovering of it.  Face Atelier Liquid Foundation offers medium/high coverage without looking like a traditional, high-coverage foundation.  On my dry/combination skin, it takes about 20 minutes to warm up, at which point it begins to look less like a foundation and more like naturally good skin.  It’s one of those foundations where you look in the mirror part-way through the day and say “Woah, good skin day!”  Followed by a fist-pump.

However, I do have a caveat with this foundation.  To get the best from it, you need to apply it on well-moisturised, not-too-dry, not-too-oily skin.  If you’ve got good skin texture but with a little discolouration or redness, you should be chomping at the bit to purchase.  If you’re prone to dryness or oiliness, you’ll probably be in love with this 65% of the time.  Does that make sense?

The bottle comes with a great pump that dispenses the perfect amount for a full-face application with a single squeeze.  The brand state that you do not need to wear a primer underneath this and indeed you can feel the silicone in the fomula.  If you like your foundation to feel completely weightless, you may not enjoy the feel of this one (though in no way does this feel like a heavy foundation).

It also sets fast, so work quickly!

Personally, I ignore the brand’s recommendations on primer and mix it up with a blob of moisturising primer (non-silicone) or Maqpro Make Up Mixer to give me a sheer(er) finish that doesn’t set as quickly.  To combat the additional dewiness this pairing provides, I set the foundation on my t-zone with a touch of powder.  I don’t find that it wears any less well and have been surprised by how well it performs mixing it into all different kinds of bases!  I like to buff it in with a flat-top kabuki… working it in to the skin in light circular motions, both back and forward.

* my hair looks two different colours in the above photo – the sun had come out from behind the clouds in time for the 2nd shot!

The shade #2 Ivory is spot on for me, a little too yellow technically, but I like this because it tones down my redness more effectively.  If you’re just slightly darker or lighter than the official range, you can also purchase their 0-/0+ to lighten and darken any of their shades.

Overall, on good skin days (or if you’ve got skin prep down to a fine art), this is show-stealing foundation.  It’s pricey, but what price beautiful skin fakery?

Face Atelier Ultra Foundation is priced at £32 and available to buy online from Cult Beauty

So, staunchly ploughing my way through the UK available BB Creams (but slowly, very slowly)… the next on my radar was the Boots No7 Beautiful Skin BB Cream* which was launched recently.  It comes in a few varieties, depending on your skintype: normal/oily, normal/dry, dry/very dry.  I’ve got a stock image here because I took my photos last month and can’t find them on my computer anymore… I bet I got a bit zealous in my cleaning up process a few weeks ago.

I’m really enjoying what feels like a bonus inclusion for the dry/very dry camp and this delivers well on not exacerbating any symptoms of dry skin.  It doesn’t cling to flakes and it doesn’t highlight any dry patches or look powdery as it settles.  It doesn’t however, provide enough moisturisation for me to wear it without moisutirser underneath.  Nor, at SPF15, does it provide enough sun protection on its own.  This to me, isn’t a BB Cream – it’s simply not an all-in-one solution with the kind of skincare benefits that I’m looking for.

But how does it work as a foundation or base?

Really nicely actually.  It gives more coverage than a regular tinted moisturiser but not quite as much as a light foundation.  It leaves a dewy finish that is a little tacky to the touch before settling and tones down my redness well enough to give me the confidence I need to face the world.  I usually apply this with my fingers, making it a fast 5-minute face option for mornings when I don’t need or particularly want to look made-up.  Quick trips to the shops, school-runs, the general day-to-day stuff that you feel a little happier doing without a completely bare face.

It lasts adequately and doesn’t pack any oxidisation issues throughout the day.

Although the texture is quite thick, it feels blendable once it comes into contact with skin (especially under warm fingers) and has enough slip to allow you to really work it into the face quite well.  There are two shades available in each variety (fair & medium) and fair is a good-enough match for my pale skintone, a little too warm/dark but it’s sheer enough not to cause any problems.

The Boots No7 Beautiful Skin BB Cream in Dry/Very Dry is priced at £12.95 for 40ml, and is available instore and online at boots.com

* press sample

These trio of eyeshadows from Illamasqua’s latest Human Fundamentalism* collection landed on my desk this week and I thought I’d post up some swatches.  The three matte shades are: Vernau (yellow ochre), CanCan (bright lilac purple), and Pivot (yellow green).  Get ready for some piccies… (I dunno why I always say that like it’s 2001 and you’re all hitting X so as not to max out your 56k dial up *shrugs*)

The shades have fair to good pigmentation (for mattes) and blend nicely.  The pick up is powdery but again, this is something you often have to contend with when you’re using a matte formula.  On with the swatches…

Applied on dry skin with no primer (please excuse the cycling scratches).  The pales don’t look too chalky considering.

Each shade applied with Illamasqua’s Sealing Gel* (as you would for an eyeliner application).

My attempts at a FOTD sadly ended with me looking at myself in the mirror and declaring “you look like a twat in those colours”.

But…. and this is where it gets interesting…

I went to the bathroom to remove my clown face and upon scrubbing with face wash and warm water….

The swatches done with the Sealing Gel would. not. budge.  I mean, they really wouldn’t budge.  I’m sat here 5 hours later and they’re still looking at me.

So my review is being thoroughly hijacked because I can’t coo over a trio of eyeshadows in shades that I wouldn’t be seen dead in (did I mention Illamasqua will makeover your dead body?).  However… I can get excited over the Illamasqua Sealing Gel which would be a phenomenal addition to your makeup routine if, like me, you have hooded eyelids and can’t stop eyeliner from transfering up to your hairline when you blink a bit too hard.

The shadows are ok, if you’re gonna get all hot and sweaty over them… you probably don’t read my blog anyway to be honest.  But check out the inconspicuous looking bottle of sealing gel next time you’re near a counter.  I already own/use a mineral-makeup branded sealing gel… this is 100x better.

Illamasqua’s sealing gel is priced at £10.50 and can be purchased on counter or online.  Also, if you haven’t seen them already – check out Illa’s pretty glorious moving swatches on their new-fangled website.  The Human Fundamentalism Collection can be seen here.

* press sample

Firstly, I’d like to say a big hoorah for a “western” BB Cream with a decent SPF rating.  The Estee Lauder Daywear BB Creme* comes with a broad-spectrum sun protection rating of SPF35.  What it doesn’t come with, is a whole bunch of moisture – and that’s bad news for me, especially because it’s kind of the whole reason I fell in love with BB creams in the first place.  But let’s not forget, this version from Estee Lauder has disassociated itself with the whole BB cream ‘thing’ by re-imagining those two initials, not to mean blemish/beblesh balm, but ‘beauty benefit’.  If that sounds a little bit wanky, it’s because it is.

Having said that… every cloud has a silver lining does it not?

What the Estee Lauder Daywear BB Creme does introduce, is very good oil control.  It doesn’t achieve this by mattifying the crap out of your complexion, you’ll still see a certain amount of dewiness (a.k.a life) and definitely a lot of ‘real’ skin, but it manages to velvet-ify (that’s SO a word), keeping the greasies (also a word) at bay very effectively indeed.

Coverage is sheer/medium but it evens my skintone without arguments and reduces the redness admirably.  If you’ve got blemishes, you’ll need to conceal these – don’t be layering four coats of BB cream ontop and hoping for the best.

Many have raised concerns about the shade and yes, two shades is not enough and 01 Light (the palest) is both too dark and too warm-toned for pale, cool pink types like myself.  If you’re an NC20 upward, you should be fine with this shade.  I’m not one to be massively horrified if a foundation doesn’t match my skintone exactly, I just don’t want to look tangoed or for people to take sly twitpics of me to show their friends how ‘not’ to get matched for foundation.  You know?  Hopefully the pictures will give a better impression of what I’m trying to say but I think I can get away with this one aslong as I don’t get too fixated on it not quite being right.

What else is there to mention?  Packaging is sleek and portable, if not the sexiest I’ve seen.  It smells strongly of cucumber, reminding me of the Boots own range of cucumber products… again, this doesn’t really scream “I’m worth my £32 price tag”.

Ok, before/after time – this is taken under flash conditions, at night so the change in tone is pretty much spot on (as I have complete control over the lighting here).  Also, I’m loving the chin spot.

The bottom line is this, if you have very dry skin, there are more suitable products available in the BB cream world for you.  If you have combination or oily skin and you’re a little darker than the average sun-dodger, you should really try and beg a sample of this from your nearest counter because I think it may be the best BB cream you’ve yet to try.

Estee Lauder Daywear BB Creme is available to buy now online and on counter, priced at £32 for 30ml

* press sample

We all have definite ideas about the scents we like to surround ourselves with — be it the washing powder we use to clean our undies; the candles we light when we step through the door after work; or the bath oils we pour under a hot running tap at the end of the night.  When was the last time you chose a new shampoo in the supermarket before flipping up the lid and inhaling a quick whiff to make sure you shared the product’s olfactory persuasions?

But what about the people we share our lives with?  What control do we have over how they smell?!

It’s taken a long time to gently steer my husband away from the Umbro Aftershave of his early twenties and onto scents which don’t make me want to check behind his ears for dirt.  I sound like a fragrance nazi right?  I’m not… it’s not that he resisted either, he just didn’t have an opinion either way.  Over the past couple of years, he’s developed a greater understanding and passion for fragrance — and thankfully, we do share quite similar tastes — something which comes in very handy for sharing the cost of those more extravagant fragrance purchases.

On this day, St. Valentine’s Day — I thought I’d hand the reins over to my brilliant husband, who has picked out the fragrances from his collection that make us both swoon when he wears them.

YSL – M7 Oud Absolu | Molton Brown NTS – Rogart | Parfum d’Empire – Ambre Russe | Oscar de la Renta – Oscar for Men | Floris – Santal

I’m still an awful fragrance reviewer, I just don’t have enough words swirling around in my puny brain to conjure up enough ways to say “if this fragrance were a doughnut, you’d consume four of them in one sitting”.  Although, I’ll never get better if I don’t try, so – in our own bumbled together manner… (at least I’ve got someone else to blame)

Yves Saint Laurent: M7 Oud Absolu (£58.00) *

As part of the reworked YSL Heritage Collection which celebrates half a century of expert perfume creation, the brand have released a reworked version of M7 which first came to the public nose in 2002 under the direction of one Mr. Tom Ford.  From such an agent provocateur, you’d expect to experience something special and you won’t be disappointed with this fragrance, which despite the reformulation is described as the climax of male sexuality¹.  M7 is a deeply smoky scent with notes of myrrh, french labdanum, patchouli and a resonating woody, almost leathery oud accord.  There’s a medicinal hint that lingers through the dry-down which we both find comforting.  It’s not sharp but resinous and syrupy, like a cough drop.  M7 is a fragrance for the night, of the night.  If Serge Gainsbourg were to walk in behind me right now, this is the smell I’d catch (and hold onto) as he passed.  An intensely sexy, dark scent.

¹ yslbeauty.co.uk

 Molton Brown Navigations Through Scent: Rogart (£60.00)

If you prefer to scent your senses with a touch of the gourmand, you may be interested in Rogart’s unusual but profoundly delicious note more usually found on your pancakes than in your perfume: maple syrup.  The tasty fragrance from Jennifer Jambon opens with a bracing blend of juniper berries and fir balsam which gives it that ‘great outdoors’ feel and indeed it should, as it draws its inspiration from the Cobequid Mountains of Canada.  All this freshness contrasts wonderfully as it warms on the skin and develops a hint of campfire, resinous wood and that sweet, mouthwatering maple.  Jointly, we’ve purchased nearly all of the releases in the Navigations Through Scent collection but Rogart firmly remains my husband’s favourite.

Parfum d’Empire: Ambre Russe (£84.50)

Not sure we’ll ever fall out of love with the majestic, imperial notes contained within Parfum d’Empire’s exquisite nod to Tsarist Russia.  It’s all here: vodka, champagne, tea, leather, amber and incense.  It’s like the party you know will conclude with most of its guests going home in a meat wagon before sunrise.  It’s raucously obnoxious and it knows it.  It wants you to know it too and you can’t help but admire Ambre Russe for it’s audacity to even exist.  It manages to be simultaneously effervescent (that’ll be the champagne hic!) and creamy, with the boozy amber trumping all else.  If you like dark, oriental fragrances, consider this a contender for the big daddy – shy, delicate noses need not apply.

Oscar de la Renta: Oscar for Men (£45.00)

We fought a little over the inclusion of this… I wanted to place Bvlgari Black above this one but Mr. L triumphed by making me a cup of tea and pointing out that, for once, he was entitled to call first dibs.  Oscar de la Renta’s Oscar for Men can be picked up online for as little as £17.00, which admittedly, ups the desirability stakes.  It’s a far sharper, more summery scent than the ones we’ve so far included – the top notes of bergamot, mandarin, and black pepper ensure that it prickles a little with a zestiness that makes you stand up and pay attention.  It has a floral heart that tempers the spiciness a little but if you’re a fan of the peppery notes of something like Marc Jacob’s Bang, you should enjoy this equally.  Oscar for Men trails with a suggestion of leather and vanilla which further smoothes the pepper without ever fully quietening it.  A spicy serenade that wears well in warmer months thanks to it’s sparkling opening.

Floris London: Santal (£69.00) *

As is my prerogative, I’m a woman of many contradictions.  Sometimes, I will eschew the feral, growling sensibilities of something like M7 (though never Serge) and want the man in my life to appeal as much to others as he does to me.  Floris Santal is the perfect scent to meet that need with its clean but never soapy existence.  Creamy sandalwood (and good sandalwood at that) gives Santal the most distinguished of edges in the overpopulated woody oriental category.  A hint of spiciness and musk keeps things warm and sensual whilst the crisp bergamot and trickles of lavender promote the balance beautifully and prevent this classic scent from ever feeling generic or old-fashioned.  Longevity is unparalled, displaying the kind of quality one would expect from a traditional British fragrance house like Floris.  I may have started with Serge Gainsbourg, but please… let me end with a young, freshly-shaven Paul Newman.  Rawr.

I’m feeling a tad hot under the collar now!  Happy Valentine’s Day you lovely lot.

Do you lust over leather or go crazy for classic cleanliness?  Do those animalic undertones bring out your wild side or perhaps you simply prefer a good old splash of Brut! 

Tell me, how do you like the men in your life to smell? (note: “of money” isn’t a valid answer!)

* press sample

Can you feel it coming?  The birds are beginning to sing a slightly more cheerful tune, the flowers are peeking their tiny heads out from beneath the frozen ground and the dark evenings are gradually fading into longer twilights.  Sure, it ain’t exactly warming up yet… but I’m optimistic that we’re over the worst of it.  Maybe.

The fact that I took delivery of the Boots No7 Floral Brights Spring 2012 Collection* this morning may have had something to do with the new-found spring in my step (pardon the pun).  Look at that packaging, I love it and I usually quite dislike white cosmetic packaging.  Mind you, I used to hate white gadgets too… *hides all Apple technology*.

The new Lisa Eldridge-created collection consists of: one eye palette, one complexion highlighter, two cream blushers and two lipsticks.  No nail polishes this time.  Boo.

Want a closer look?

This prettily packaged eye palette reminds me of the Avon Marimekko ones from a few years back, does anyone remember those?  Anyway, the No7 Vital Brighetning Eye Palette offers five warm-toned shades with four neutrals and a pop of golden-yellow.  Nothing too dark here, this is all about bringing some light to the face and brightening the eye area.  I tend to prefer cooler tones on my eyes but I do like the satin-finish of these, they’re not too metallic and showy.  Texture is a touch soft but they blend nicely and last very well on primed eyelids.

Next up is the No7 Vital Enlightening Highlighter, a smooth champagne highlighting powder that applies with more sophistication and refinement than I expected.  It imparts a non-metallic glow when used with a light hand and is neutral enough not to look too warm, or too pink on my skintone.  No7 generally do highlighting powders very, very well and if you’re in the market for a new one, this is worth a look.

A real standout in the collection are their two new blushers.  The No7 Vital Brights Cream Blushers in Blooming Pink (fuchsia) and Blossoming Pink (guava) are a cream-to-powder formulation that pack a real punch of vibrancy whilst still being able to blend down to a wearable flush without streaking.  The formula is *so* spot on with these… I own cream blushers that cost twice as much and apply literally, half as well as these do.  Highly recommend checking these out while they’re still available.

My other favourite from the collection are the two new No7 Vital Brights Lipstick shades that allude to the popular lightweight formula the beauty world can’t get enough off, whilst boasting more buildable pigmentation levels than most gel-style lipsticks.  They’re knockout shades too… Blooming Pink is the killer, cool-toned fuchsia which looks great with a slick of black liner and will carry you confidently through to Summer.  Blossoming Pink is a slightly cool-toned nude which will please women who prefer a safer lip-shade.  It’s nude without being too pale, more of a perfecting lip shade than a colour statement.  How this one turns out will really depend on your natural lip colouring.

Without wanting to sound like a major fangirl, there’s not a dud in the collection.  If you twisted my arm, I’d say that you could probably leave the eye palette on the shelf.  It’s a little bit soft and doesn’t tick my must-have requirements in the same way as some of the other pieces.  Do not let this limited edition collection pass you by without going in for a closer look at the lipsticks and blushes though.  That’s an order.

If you can bring yourself to, please excuse the bottom right cam-whoring.  I couldn’t – in all seriousness – where such a horrifically clashing lip shade and not ham it up a bit.  In all photos I’m wearing the eye palette, blossoming pink cream blush and highlighter.  It’s hopefully clear enough in which photos I’m wearing which lipstick.  Does that make sense?

No7 Vital Brighetning Eye Palette – 4g (£13.00)
No7 Vital Enlightening Highlighter – 10g (£13.00)
No7 Vital Brights Cream Blushers in Blooming Pink or Blossoming Pink – 2g (£10.00)
No7 Vital Brights Lipsticks in Blooming Pink or Blossoming Pink – 3.5g (£10.00)

Have you got your eye on any pieces from the new Spring Collection?  Already bought something – let me know!

The No7 Floral Brights Spring 2012 Collection is available exclusively in Boots stores now and online at Boots.com until the 6th March 2012.  It’s worth pointing out that No7 products are also currently on 3for2.

* press samples