A Makeup & Beauty Blog – Lipglossiping

My fondness for mineral powder foundations seems so at odds with my complaints about the pesky flaky bits that my combo/dry skin enjoys tormenting me with but as-long as I don’t go overboard, I nearly always get good results from them.  Having said that, I’m quite particular about how I apply them…

I prefer to use them to “boost” coverage over a light liquid base.  I rarely apply mineral power foundation onto bare skin. I’m sure that’s probably quite unusual… but I find that I get really good lighter-looking, full-coverage results doing it this way.

Clarins have released a new mineral powder foundation, Skin Illusion Mineral Powder Foundation.  The packaging although as luxurious-looking as you’d expect from the brand, is a little bit of a pain to work with in reality.  After grappling with the brush a few times, I’ve now ditched it – not because of quality issues, but just because it’s easier to treat the pot as a generic container rather than an entire application system.

The shade shown is #105 Nude – the lightest shade available in the UK and two shades darker than the lightest available in the U.S.  The fact that this shade even works on my skintone should give some idea about the versatility of the product.  I’d say that it’s a touch too yellow for my very pale, cool skin-tone but as you’ll see at the end of the post, it doesn’t make an awful lot of difference.

The powder is finely milled, velvety in texture and once applied, I’d describe it as medium to full coverage.  The overall finish appears matte but not completely flat, I’m assuming that this is down to the pink opal powder which promises to deliver luminance to the skin.

In the before/after picture below you’ll see that my skin was pretty red and blotchy – definitely a full-coverage day.  As I’ve said already, if I want a full-coverage base, I’d usually start off with a tinted moisturiser rather than build up layer after layer of powder foundation but for the purposes of this review, I applied just a single layer of the new Clarins Skin Illusion Mineral Powder Foundation onto bare skin instead.  I’d also usually finish off the application with a light spritz of toner to ensure that the product fuses with my skin and removes any powdery residue – but again, I haven’t done that on this occasion.

I’m pretty impressed with the coverage (for a single layer) and it definitely doesn’t look too matte.  Longevity was fine and actually, it’s only now that I’m writing the review that I’m appreciating how well it manages to control oil as my nose rarely shows signs of losing coverage halfway through the day when I’m wearing this.

Clarins Skin Illusion Mineral Powder Foundation is priced at £28 and available to buy on counter and online at clarins.co.uk (but I’d recommend checking Escentual.com for a MUCH better price first!)

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Sorry if I’m on a bit of an Yves Rocher bore train at the minute but I’m slowly working through the order I made last month and included in my naughtiness were a few taupe eyeshadows that had caught my eye in Prague.  This is one of them…

Taupe Bruyere is in their range of single eyeshadows and has a soft sheen, gentle (but not too sheer) pigment and for a powder… a nice, creamy texture wearing well throughout the day.  If you’re looking to see if you’ve already got something simillar in your collection (of course you have), I’d pitch it as closest to a slightly-more-violet version of NARS Lhasa or a less glittery (much less) version of Chanel Illusoire.  I can’t find an exact dupe in the bits that I’ve already unpacked.

Yves Rocher Taupe Bruyere is available to buy online, priced at £12.00 – the price fluctuates in the sales though and I paid half that only a few weeks ago…

Want it?

Surely Illamasqua’s Magnetism from the latest Generation Q collection is the perfect lipstick to welcome the colder weather?  It’s like taking baby steps into the vamp.  Tiny little raspberry-pink coloured steps.  Now, I’m no great lover of Illamasqua lipsticks – I just don’t like the harder formula… of all the ones I’ve bought and tried in the past, I’ve only actually held on to Sangers (bit dry but beautiful colour), Atomic (the violet flash slays me), and Eurydice (because everyone needs a bit of pink neon don’t they?).

But… what I’m trying to say is that… when it comes to lipstick, I don’t go to Illamasqua for their amazing, lip-friendly formulas.  Well, not until now…

I mean jeez, dare I say it… it’s almost… almost… buttery.

I don’t think I’ve raved about an Illamasqua product for a while (well, except their eyebrow cake in Gaze, eternal HG) but this… you needs this in your life.  I’d stopped looking to Illa to provide any lipstick-love for me, are there any other buttery-smooth Illa lip formulas I’ve missed the memo on?!

Please Illamasqua, please remake all your other beautiful shades in this formula.

Illamasqua Magnetism Lipstick is priced at £16 and available to buy online and on counter from Illamasqua.

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If there’s one face in the over-populated world of celebdom who should know a thing or two about perfecting a great red lip, it’s Ms. Dita von Teese.  The American burlesque dancer, model and actress has made the red lip look her calling card over the years, always immaculate and always on the pin-up side of glam.  Who else would you trust with a fabulous retro red lip?

Well, that’s obviously what German cosmetics brand Artdeco thought to themselves when they collaborated with the dancer to create the Dita von Teese Classics Art Deco collection.  Of course, my little heart went all a-pitter-patter at the thought of the potential red lipsticks… and I have one to show you today…

This is #615, the Dita Von Teese Art Couture Lipstick in Muse Red.

I have to say, that if I have one major disappointment about this line… it’s the packaging.  There’s nothing wrong with it but it just feels a little like a missed opportunity to play up to Dita’s vintage styling, I know that when all is said and done, I’d be moaning far more if the contents of the packaging didn’t align themselves in a Dita-esque manner… but, I fancied a nit-pick.  Think Besame with a modern-twist… now that would have been something no?

But as things stand, the packaging is simple, elegant and understated – the only real nod to the co-collaborator comes in the form of a signature and a cameo-esque etching, it’s cute enough.

You can see from this photo (hopefully) that #415, 1 of 6 dita-inspired lipsticks, is a warm-toned orange red… not my most favourite reds to wear simply because of my uber-cool toned colouring but to my mind, the most authentically retro-looking of the lot.  The lipliner that you see peeking in the background is also part of the collection and is a much cooler-toned red (#10 Dame) – it works “ok” with the lipstick but it isn’t a perfect match and if you were looking to buy the two together, I’d say look elsewhere for a warm-toned lip liner.

Moans aside, the formula of the lipstick is a delight.  It’s firm enough to give you enough confidence that you’re not going to end up with colour transfer over your teeth (and I didn’t, at all – despite my BIG front teeth which always get in the way), but soft enough to apply without dragging too reluctantly over your lips.  It strikes a really good balance for a bold lip colour, and formula really is all important when you’re braving a lip colour with such potential to show you up or let you down.

The lip swatches show the colour with lip-liner underneath to help create sharp-edged definition but in all honesty, I think that this lipstick is “man” enough (last of the great feminists me!) to hold a decent edge by itself.  Obviously, for optimum definition it’s always best to line the contours first but most of the time, if I am using a lip-liner, I actually do it to extend the edge of my lips just at the outer corners where 10 years of smoking contributed to a loss of fullness – maybe I’ll take some photos of how I do that sometime if anyone’s interested?

It’s always hard when writing a red lip series post to perfectly demonstrate the tone of a red lipstick compared to others in the genre, so I’ve decided to start swatching them alongside MAC’s Russian Red, commonly thought of as a pretty good example of a neutral red – meaning that it leans neither too blue, nor too orange.  I hope it will be helpful.  Either way, as you can see – in the swatch below, Dita’s Muse Red is comparatively orange-toned when compared to the MAC neutral (it’s also much less draggy!)

Considering there was much room for disappointment (you don’t put out a “Dita von Teese” red lipstick without expecting it to be scrutinised!), #415 is a lovely, retro red that offers good, nay, great longevity… authentic colour and a lip-friendly formula.  What else do you need?

The Dita von Teese Classics Artdeco collection is out now and available to buy in person at larger Debenhams stores and online at debenhams.com

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I perpetually live in hope when it comes to the Precision Inks from Illamasqua.  For whatever reason, my body chemistry and the polymer-whatsits inside the formula repel one another.  I also know that I’m in the minority when it comes to having trouble getting them to stay on my eyelids but regardless… here’s a quick review of the latest Precision Ink from the great (Great?) British brand…

The Precision Ink provides a neatly tapered, perfectly controllable “brush” with which to dispense the product along the lashline – it’s well designed and allows both precision and decent coverage without needing to take multiple passes.  When you get the hang of how the liquid flows from the brush you can use the angles to your advantage and swiftly draw both thick and thin lines.

The formula is fairly wet and does occassionally attach itself more to my lashes than my lashline… but I find that to be true of most non-pen style applicators, whilst they’re great for providing quick coverage, you may have to do a little cleanup afterward, unless you’re very handy with an eyeliner!

Now, as for Wisdom… what makes it special?  What made me hope and pray to the Gods of makeup that the formula and I would finally, magically become compatible?

The shade.

Wisdom is an absolutely beautiful gilded olive/antique gold – it reminds me a little of Urban Decay’s old liquid liner in Honey… but perhaps a little more sheer.

I’ve swatched it above both on its own and over a black liquid eyeliner to demonstrate the depth of pigment.  Wisdom makes a fabulous alternative to the usual black and is light enough to work really well as part of a simple neutral, work-appropriate look whilst adding a little “interest” to a look that you might be a bit tired of wearing.

Unfortunately, it just doesn’t last well on my eyelids at all.  I don’t know if it’s because they’re hooded and I literally “rub” away the product with my upper lid as the day progresses or… gosh, I really don’t know.  Either way, none of the Precision Inks I’ve tried since their launch have lasted longer than around 4 hours for me without flaking off in great chunks and leaving bald patches.  Other people I’ve spoken to on Twitter find them some of the most long-wearing eyeliners they’ve ever tried.  C’est la vie.

Illamasqua Precision Ink in Wisdom is part of the limited edition Generation Q collection, priced at £17 and available on counter and online now, while stocks last.

Do you have a nemesis product that you just can’t get to grips with?

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La Roche Posay Hydreane BB Creme.  Yes, it’s pretty much as awesome as I hoped it would be.  If only it had just a little higher SPF rating, we’d be best of buds all year round.  Well, at least until my new favourite base product comes out – a girl can’t be too loyal when it comes to foundations can she?

After suffering a major, practically heartbreaking disappointment over the much lusted-after Giorgio Armani Maestro Foundation (which did nothing for me other than accentuate my dry bits and make me look blotchy), along comes La Roche-Posay to stroke my hair and tell me I’m not a troll.  No, really – bad makeup positively upsets me.

Paraben-free and suitable for all skin types (allegedly), Hydreane BB Creme is a rich, tinted base with an emolliating formula.  It’s perfect for the upcoming colder months but some may feel that the lower coverage levels are more suited to Summer months when we break out our tinted moisturisers.  The difference for me is that I don’t generally achieve much coverage across my nose with tinted moisturisers, with this – it provides just about enough redness-calming to make me feel a little more secure in my skin – and that, along with the great hydration, is why I’m happy to grant this BB Cream status.

Hygenically packaged in a travel-friendly squeezy tube, the cream that dispenses is a little thinner in texture than most traditional BB Creams.  It spreads across my skin with ease and almost provides enough moisture alone to go without any additional hydration underneath.  Almost.  I find that I still need to give my skin a little hydration boost around my nose (but not on it) and between my brows.

Once worked into the skin with the warmth of my fingers aiding the process, I stepped away from the mirror.  Five minutes later, I returned and was pleased to see a great skintone match, sheer coverage and skin that looked more refined and even.  Blemishes will need spot concealing and under-eye darkness will need brightening but this is a brilliant base for anyone who needs a quick, daily product to tone down redness without looking like you’re wearing a face of makeup.  It’s a skin confidence booster rather than a full-on face-fixer and that suits my tastes perfectly.  I also have no issues to report re: longevity, though I’m afraid that I can’t speak for oilier skin types.

I’m so pleased that this one lived up to the hype that I’d managed to build up for myself around it – my favourite Western BB Cream so far.

La Roche-Posay Hydreane BB Creme is available to buy instore and online at boots.com, priced at £15.00 for 40ml

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Remember Rimmel’s Hide The Blemish? Surely a handbag staple for teenagers around the world if ever we saw one?  Well, I have to admit… this is what I was reminded of when I received this concealer sample through the post.  I would call the packaging ‘charming’ but honestly, it just looks a little bit dated/only-three-kids-allowed-in-the-shop-at-the-same-time (our local chemist and Rimmel counter was on the school route home!)

But that’s where the similarities end.  Completely.

Essential Care’s Mineral Concealer is really hydrating and offers a lot of slip during application.  Infact, I was positively convinced that it would slide straight off any blemishes that it initially concealed, but it didn’t – at least not for the couple of hours that I was able to test it.  The shade was sadly a little too dark for me so I couldn’t leave the house with it on and had to reapply my usual liquid concealer before picking Leila up from the nursery.

Application is precise and full, you can blend out the edges with your ring finger, as I normally do but because this formula is so soft, I used a brush in this instance and it worked beautifully.  I’m very tempted to pick one of these up in “fair” for the winter as my usual bugbear with blemish concealers is that they cling to all my dry bits… ultimately rendering themselves less useful than a solar-powered torch in a black hole.

Ingredients

COCOS NUCIFERA OIL*, RICINIS COMMUNIS OIL*, CERA ALBA*, OLEA EUROPAEA OIL*, ZINC OXIDE, TAPIOCA STARCH*, CANDELILLA CERA*, HELIANTHUS ANNUUS SEED CERA, HIPPOPHAE RHAMNOIDES FRUIT EXTRACT*, CALENDULA OFFICINALIS FLOWER EXTRACT*, ROSMARINUS OFFICINALIS EXTRACT*. May contain +/- CI 77491, CI 77492, CI 77499, CI 77891, CI 77007, mica, silica *Organically grown/produced (minimum 76%).

It’s pricy (in my opinion) at £17.50 but I may try mixing it on the back of my hand to create a customised tinted moisturiser.  I’m really quite enthusiastic about how utterly non-drying it is.

Essential Care Mineral Concealer is available to buy online from essential-care.co.uk

Do you have a favourite hydrating concealer?

The sky outside is slowly darkening, the tea lady was last seen leaving with the Kit Kats well over an hour ago and is showing no signs of returning. You can’t remember whether you left enough food for the cat and you know that you forgot to set the Sky+ for Eastenders.  For the love of all things way-past-5pm, when is this meeting going to end?

There’s only one thing for it.

Heads slowly turn toward you as you sit there, nonchalantly filing your nails with a chainsaw… or a hunting knife… or maybe a machete…

“We’ll pick this up again on Monday shall we?” says the boss, darting from the room, pushing back her chair with such force that you’re genuinely surprised it didn’t make a cartoon hole in the wall.

Now, to find that tea lady…

‘Dangerous nail files’ are a range of high quality nail files made in the USA in the shape of weapons and tools, designed by Shelly Getzendanner from the School of the Art Institute of Chicago.  They come individually packaged at £7.95 each and will be available at The Conran Shop this month.

When it comes to setting your makeup, do you have a preference?

For me, I feel that there’s a certain sacrifice to be made when it comes to accepting the convenience of a pressed powder and the older I get (*cough* more wrinkly *cough*), the less I’m willing to compromise on the ultra-fine, light coverage that a loose powder can provide.

The two shown above are a couple of favourites in my stash (particularly the Becca – which is just so, SO, fine) but I can never make up my mind between them!

Pressed or powder?  Which do you prefer and why?

When I made my first online Yves Rocher order a couple of weeks ago, they were offering a couple of free gifts and one of them was this mascara: Sexy Pulp, which to be honest makes me think more about Jarvis Cocker busting a Common People move than anything mascara-related.  And yes, I am not ashamed to admit that I had a soft spot for Jarvis growing up… go listen to Babies/Pink Glove/She’s A Lady and tell me they aren’t some of the best tunes of the 90s!

But less about my taste in music and back to the makeup…

Yves Rocher Sexy Pulp mascara has one of those brushes that curves inward in the middle.  I don’t think I’ve ever used one before and they do work quite efficiently, mimicking the natural curve of the lashes to ensure that you can achieve an even distribution of product across the lash-line without bending your arms into awkward angles.

The formula is neither too wet nor too dry but the packaging doesn’t provide much in the way of a seal when you slide the brush in/out of the tube so I don’t expect the formula to remain wet for very long.  The mascara is nicely rich in pigment and has an elastic quality to it that lengthened my lashes considerably, stretching them out to their full reach without weighing them down.

Two coats are shown above.  I didn’t experience any flaking or smudging and removal was easy enough with some warm water and my usual cleanser.  Yves Rocher Sexy Pulp Mascara doesn’t blow me away but it’s better than I expected from a free gift, no complaints here!

Yves Rocher Sexy Pulp Mascara is available to buy online, currently priced at £8.45 (but do look around for free gift codes!)

BareMinerals have launched some new “retouching” products to their lineup of mineral-based cosmetics.  One of their latest introductions to the range is their Stroke of Light Eye Brightener which, to put it simply, is supposed to work in the same way as something like the legendary YSL Touche Eclat – it’s not a traditional concealer folks, it’s a brightener.  And years of disappointment (Y U NO CONCEAL?!) has led me to understand the importance this subtle nuance makes.

The Stroke of Light Eye Brighteners are available in 4 shades ranging from the very lightest – which I have here, through to a level 4… described as “luminous dark”, whether or not that’s dark enough to cover the full spectrum of skin-tones, I don’t know.  The packaging is a doe-foot style applicator in a simple tube – I always appreciate being able to see how much product I have left in the tube, so the unfussy design works for me.

The shade is a lovely match for my skintone and the formula feels very light indeed, with a lot of slip and a sheer consistency.  Don’t expect this thing to conceal darkness, blemishes, pigmentation or actually, anything at all.  You’ll be disappointed.  This is simply supposed to work as a luminosity-giver, delivering light into the shaded areas of your face that could do with ‘perking up’.  The main area, where most people use this type of brightener is under the eyes.  You apply directly from the doe-foot and then blend gently with your finger, ring-fingers are best – they apply less pressure and are less likely to blend the product into oblivion.

There’s not a huge amount of difference is there?  Infact, I’m struggling to see any.  Perhaps it’s because the photos were taken in such a well lit room (my dungeon was out of operation), perhaps it’s because I’m perfect and need no additional eye-brightening (unlikely), or perhaps the product simply doesn’t achieve anything.  The jury is out.  What I will say though is that for an under-eye product, it’s beautifully textured.  It sat on my skin without creasing or seeping into my fine lines and I feel that it gave the area some additional hydration.  Whether it’s supposed to actually do that, I’m not sure – but it felt almost skincare-y (totally a word) as opposed to makeup-y (also a word) when used in that delicate area.

BareMinerals Stroke of Light Eye Brightener is priced at £22 and available on counter and online from bareminerals.co.uk

What say you?  Eye Brighteners… do they work for you or are they simply a case of the Emperor’s new pants?

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** I should point out that, in fairness, I don’t see a hella lot of difference with any eye-brightening products.

I don’t know if I’m just naturally stupid or if it’s developed with age but I only realised this week that prunes… you know those wrinkly things that your Nan used to serve you with custard to keep you regular, are in fact, plums.  Dried plums.  Did you know this?!  Why didn’t anyone TELL me?  I mean… I never thought there were such things as prune trees but I didn’t make the connection either!

Anyway, huge tangent aside…

Clarins have released a new mascara for Autumn, and in their infinite wisdom, have decided not to call in Prune mascara.  No Sir!  This is Plum mascara – see how that sounds so much better?

Clarins Instant Definition mascara in Intense Plum is a hit of purple-y goodness that stays natural looking, there’s no electric violet lash injections going on here.  This is a mascara that won’t limit your choice of eyeshadow when you wear it and works nicely to jazz things up a little bit in the eye makeup department.

The formula is on the dry side – something I favour in a mascara for giving greater control during application and quicker va-va-voom results but these drier formulas do sometimes last a little less time before hardening in the tube – although the neck seal on this one does feel pretty tight.  The wand is interesting, quite rigid and small – making it great for stubby lashes with an even narrower tip to tickle even the tiniest of corner lashes with colour.

Overall, the results are pretty.  There is clumping on the second coat, but I don’t mind defining the above as pretty clumping.  I have enough lashes in the lash-line for a little bit of clumping to work for the effect rather than against it but if you crave total separation and flutter… you might not like.  I felt that this one gave me Bambi lashes that looked really nice from a distance of more than 3 foot – any closer and I was a little bit aware of da clump.  The colour was a nice touch that didn’t overpower but gave an added interest.  No problems with longevity/flaking/smudging etc. etc.

Clarins Instant Definition Mascara in Intense Plum is priced at £20.00 – it’s a Limited Edition release for Autumn and is unlikely to be available for much longer.

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